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By Héctor Angulo, Carlos Fariñas, Harold Gramatges, Edgardo Martín, Leo Brouwer y José Ardevol

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Probably not. But it is the place where an important door to the music business opens. Open mic is good for three things: 1. A chance to try out your material on a friendly audience 2. A chance to work on your performing skills (and, please, learn to tune your guitar and remember your lyrics) 3. A chance to make friends, meet potential co-writers, and find your place in the music community. My rule is, if you don’t get out to play when you are in Nashville, you are wasting one of the greatest opportunities the city has to offer.

Perhaps my true calling will be to help show the new kids how to get out of their ruts! For the songwriter in a rut, I would advise you to expand your harmony studies—this will open up a whole new world! Improve your skills on your main instrument, and buy a metronome and learn to use it. I like the triangle-shaped, wind-up Taktell brand that sells for under fifty bucks. Whatever moves forward I’ve made have been because I have worked on reducing those distractions. The space created by the removal of these things is filled up with music.

They became hit singles in 2000, and that was the year I wrote 250 songs in a one-year period! After that, people started coming to me for more songs. “My dad always set the example. I learned from him that it is a lot more exciting to listen to someone else’s story instead of telling your own over and over. So I started watching and listening at a very early age. As the youngest of five—two older brothers and two older sisters—there was a lot to see. I soaked it all in, getting a lot of perspective.

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6 Autores cubanos. 10 obras para guitarra by Héctor Angulo, Carlos Fariñas, Harold Gramatges, Edgardo Martín, Leo Brouwer y José Ardevol


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