Download Adobe After Effects 5.0 by Adobe Creative Team PDF

By Adobe Creative Team

ISBN-10: 0201741318

ISBN-13: 9780201741315

Having written education fabric myself, i understand how tough it truly is to write down for each contingency, contemplating every little thing a amateur could do mistaken. The authors of this e-book have performed an outstanding task at providing directions truly and fully, in order that even an absolute beginner at After results like myself can keep on with each lesson. a number of checkpoints let you make sure that you're on target. the teachings are very transparent and straightforward to stick with, and that i enjoy the continuity in offering a complete venture through the booklet, in order that i think i'm quite attaining whatever. After quite a few classes, i think that i'm greedy what After results is all about.

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Extra info for Adobe After Effects 5.0

Sample text

1 If the layer is not selected, click the image in the Composition window or click the layer name in the Timeline window. To avoid scrolling to see an image in the Composition window, use the magnification popup menu in the lower left corner of the window or press the comma key (,) to zoom out. To increase redraw and processing speed while you work, you can reduce resolution of the Composition window from Full to a lower value (such as Half or Third), using that pop-up menu. These settings affect only your working views, not the size or the quality of your final output.

The edges of the hexagon become smooth once the layer is collapsed. Before (left) and after (right) turning on Collapse Transformations switch Note: If the resolution of the Composition window is Half or lower, you may still see some jagged edges. To confirm that the edges are actually smoothed, temporarily change the resolution to Full. 8 Move the current-time marker to 0:00 and then press the spacebar or 0 (zero) on the numeric keypad to preview or create a RAM preview of your work. 0 47 Classroom in a Book Now the hexagons quickly become very large as they enter the composition frame.

To do that, you’ll assign each layer a starting point that is outside of the composition frame. Because it’s helpful to see more of the pasteboard (the gray area outside the composition itself), your first step is to zoom out. This changes your working view only; it does not reduce or enlarge the objects in the rendered movie. Layers 1–10 in starting positions If you don’t want to take the time to arrange the start position to match the ones shown below, simply drag the files to the approximate positions, as indicated by the illustration above.

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Adobe After Effects 5.0 by Adobe Creative Team


by Daniel
4.0

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