By Ole Thyssen
This booklet offers with the organizational use of aesthetic ability. in response to the concept enterprises are structures of conversation, it's proven that consciously or no longer, agencies have continuously used aesthetic potential to augment their verbal exchange.
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Extra resources for Aesthetic Communication
He can choose to observe noise as information – for example, noise from a party at night is deemed a provocation. But in order to understand, you must follow, so the sender se-duces (from the Latin, se- apart and ducere to lead) and leads the dance as long as it lasts. This does not mean control, since the sender cannot control the receiver’s understanding. Even though there are methods to increase the chances of understanding questions, for example, there is no guarantee that the understanding is correct.
If he does not, there is no communication. 21 For example, this is true of unsolicited messages called advertising, which often entice with eye-catchers. Here, the roads diverge. In the development of art, it was an important step to pull art out of its service to other functional subsystems – for example, economics, politics, and religion – and thus make it possible to talk about ‘pure art’ or l’art pour l’art. Aesthetic observation isolated its own pleasure and passion. It motivated independently, without lifelines to other motives such as property, power, and faith.
This does not mean control, since the sender cannot control the receiver’s understanding. Even though there are methods to increase the chances of understanding questions, for example, there is no guarantee that the understanding is correct. It would overburden the communication, if every step were to be ensured and double-ensured. Often, the test is in the receiver’s behaviour, so the sentence ‘pass me the salt’ is understood, if the salt is passed. If the sender and the receiver wanted to be sure that they understood the same thing by the same words before they began communicating, they would run headlong into the paradox that communication had to start before it started.
Aesthetic Communication by Ole Thyssen