By Brendan Boykin, Jem Schofield
Designed as a machine spouse for either editors and movement snap shots execs, this is often the fitting at-a-glance consultant to movement four. grasp coach Jem Schofield supplies a crash direction on how movement thinks (groups, layers, items, and behavior-based animation), and meticulously publications you thru the fundamental innovations and instruments for animation, movement pictures, visible results, and 3D layout in a concise look-up structure. The advisor additionally offers a good precis of what is new in movement together with stronger 3D shadows, reflections, and intensity of box; the power to "fly" a digicam from one item to a different; ripple textual content characters off and on the monitor comfortably; animate date and time sequences instantly; Motion's awesome new linking habit, and extra.
Über den Autor
Jem Schofield is a manufacturer and artistic director who teaches and consults on construction and post-production suggestions through the usa. His corporation, Buttons Productions, produces video, movement pix, DVD, and audio initiatives for advertisement and broadcast consumers. Jem is an Apple qualified grasp coach in ultimate minimize professional, movement, and DVD Studio professional
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Extra info for Apple Pro Training Series Motion 4 Quick Reference Guide
2 In the Layers tab, select the destination group. 3 In the Canvas, drag the pointer to create a brush stroke. 4 Press Esc to exit the tool and select the paint stroke. The Paint Stroke tool’s default appearance is not impressive, but the possibilities are incredible. 4 Particles and Replicators The particle and replicator engines in Motion make it easy to add dynamic and complex animations to projects. Particles are great for creating environmental effects such as rain, smoke, or ﬁre; replicators can be used to create textures, animated patterns, or even video walls.
However, Motion does provide a Freehand Mask tool—similar to the Paint Stroke tool—that allows you to create masks in a continuous motion. 1 Select the layer or group to be masked. 2 From the Toolbar, choose the desired mask tool. 3 Click in the Canvas to create control points that define the mask’s shape. Drag the Rectangle or Circle Mask tool to create a shape. Press Option to expand the mask from the center point; press Shift to expand the mask symmetrically. Use the Freehand Mask tool like a paintbrush.
Using the Paint Stroke Tool 5 43 Adjust the image mask parameters. In the case of this grayscale rectangle, the Source Channel was set to Luminance. As with regular masks, this parameter has Add, Subtract, Replace, and Intersect settings. Using the Paint Stroke Tool Any shape can be converted into a paint stroke by activating the shape’s Outline parameters and deactivating its Fill parameters. However, when you wish to create a paintbrush effect using a continuous movement in the Canvas, you should use the Paint Stroke tool.
Apple Pro Training Series Motion 4 Quick Reference Guide by Brendan Boykin, Jem Schofield