Download Archival Storytelling: A Filmmaker's Guide to Finding, by Sheila Curran Bernard PDF

By Sheila Curran Bernard

ISBN-10: 0240809734

ISBN-13: 9780240809731

Archival Storytelling is an important, pragmatic consultant to 1 of the main demanding matters dealing with filmmakers this day: using photos and tune that belong to another individual. the place do manufacturers opt for cheap stills and pictures? How do filmmakers overview the historic price of archival fabrics? What do verite' manufacturers want to know whilst documenting an international full of rights-protected photos and sounds? How do filmmakers shield their very own inventive efforts from infringement? jam-packed with recommendation and perception from filmmakers, archivists, movie researchers, tune supervisors, highbrow estate specialists, assurance executives and others, Archival Storytelling defines key terms-copyright, reasonable use, public area, orphan works and more-and demanding situations filmmakers to develop into not just archival clients but additionally archival and copyright activists, making sure their ongoing skill as creators to attract at the cultural fabrics that encompass them. positive aspects conversations with leaders together with Patricia Aufderheide, Hubert top, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and so on. extra compliment for Archival Storytelling: "I've been making old documentaries for a few years, but I discovered new issues from this ebook. this is often the definitive consultant for archival study for documentary filmmakers. a useful resource." -Mark Jonathan Harris, exceptional Professor, college of Cinematic Arts, college of Southern California, and writer/director, The good way domestic and Into the palms of Strangers "One of the best-and such a lot needed-[books] i've got noticeable in a while..The problem is to maintain what's a pretty technical point of filmmaking fascinating with no compromising the standard and intensity of data. The authors have performed a very good task during this regard through the cautious interweaving of interviews with researchers, filmmakers and felony specialists during the genuine material.There is the robust feel of being within the presence of skilled filmmakers and researchers who settle for that whereas there are usual practices, archival use and highbrow estate legislation and so forth. are contingent fields within which every one case has to be assessed and handled on its merits." -Bruce Sheridan, Chair, movie & Video division, Columbia collage "It's not easy to visualize a extra equipped, finished dissection of Byzantine fabric. The authors have produced an incredible advisor for all who use archival assets. better of all, due to their attempt, i feel extra contributors may be in a position to entry and correctly make the most of such fabric. This publication will serve filmmakers and, in flip, the general public for years to come." -Thomas Speicher, manufacturer, Pennsylvania university of expertise "Not easily a 'how-to' handbook, it's also a dialogue of rules, concerns and historical past that creates an stress-free textual content even if the subject material turns into complicated.The genuine international examples, the roundtable discussions, and the exploration of principles and matters surrounding the technical elements are very welcome and good done." -Dustin Ogdin, Filmmaker, Spoke electronic movies "The booklet thoroughly advances the proposal that 'films matter,' yet this is often countered by means of discussants with 'films expense funds too.' Filmmakers might take a long time to recoup, and licensing is helping. it really is an ongoing volley, the bankruptcy engenders a highway map during the break up, the stress makes an exceptional read...This authorative ebook belongs on each producer's shelf." -Loren S. Miller, Freelance Documentary and Dramatic Editor, Emerson collage   * approximately all filmmakers, sooner or later of their careers, probably want to use third-party fabrics, or might be requested to license their very own paintings to another individual. This ebook will assist you do it (and remain on-time and inside of budget)* This publication, through clarifying and defining such phrases as reasonable use, copyright, highbrow estate, and artistic Commons, can larger organize media makers not to in simple terms defend their very own inventive rights yet to appreciate and admire these of others.* extra assets can be found at the authors' web site: http://www.archivalstorytelling.com

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Additional resources for Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music

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S. S. Air Force material (RG 342:1900–1985 with some later footage); and the Marine Corps material (RG 127), which includes paperwork dating back to their founding in 1775. com and CreateSpace (formerly CustomFlix) to release home DVDs containing various newsreel runs and other public domain materials from its FINDING WHAT YOU NEED collection. S. military newsreels from the WWII era), interviews with newsmakers from the Longines Chronoscope series (1951–1955), some NASA material, and various other holdings.

Includes some 1400 NASA sound recordings (1952–1975), including live communications between astronauts and mission control, public affairs programs, press conferences, speeches, and mission highlights. Supreme Court Oral Argument Collection. S. Supreme Court (1955–1978); copies of these are available to the public. 41 Impressed? NARA is arguably the best and most accessible source of moving images, still pictures, and sound recordings in the world. S. government with tax dollars or because it was donated to the American people without restrictions.

ARCHIVAL STORYTELLING ■ ■ ■ ■ ■ Milo Ryan Phonoarchive Collection. Includes approximately 5000 donated recordings, primarily of CBS-KIRO (Seattle) radio broadcasts from 1931 to 1977, with a focus on news and public affairs. World War II War Crimes Records. Provides thousands of recordings from the International Military Tribunal at Nuremberg, Germany; the most prominent are the testimonies of Nazi defendants and witnesses to the Holocaust. (Another record group, 226, relates to the Office of Strategic Services [OSS], the predecessor to the Central Intelligence Agency.

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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music by Sheila Curran Bernard


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