Download Bass Bible, dtsch. Ausgabe by Paul Westwood PDF

By Paul Westwood

ISBN-10: 3927190845

ISBN-13: 9783927190849

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In Sacks's terms, what the music imparts is a "naturalness in posture and action" correlative to "the living 'I' "; 39 in Kristevan terms, the gift imparted is the primordial jouissance (quasi-orgasmic, unrepresentable bliss) of the semiotic, the continuity of presubjective desire and signification. Not just any music, though, can accomplish this. "Rhythmic impetus" has to be present, writes Sacks, but it "has to be 'embedded'" in a formal pattern the listener can grasp unreflectively. Raw "banging," indeed, could prompt pathological jerking.

Those projects can only be achieved through modes of hermeneutic and historical writing that are always also criti < previous page page_17 next page > < previous page page_18 next page > Page 18 cal, in the dual sense of performing both criticism and critique: modes of writing that, while conceding and indeed affirming their own "rhetorical" and "subjective" character, rigorously seek to position musical experience within the densely compacted, concretely situated worlds of those who compose, perform, and listen.

As we have seen, the epistemic character of this shift derives from a rethinking of several key topics in modernist thought. Postmodernisms resituate reason among its objects, install local generality in the economy of explanation, affirm subjectivity as a decentered mobility, and treat communication as a mode of action, subsuming the constative under the performative and undoing the division of human agency into distinct psychical, social, and cultural subfields. This epistemic shift, however, is practical as well as theoretical; it has substantial moral and political implications.

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Bass Bible, dtsch. Ausgabe by Paul Westwood


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