By Walter Frisch, Kevin C. Karnes
Considering the fact that its first ebook in 1990, Brahms and His global has turn into a key textual content for listeners, performers, and students drawn to the lifestyles, paintings, and occasions of 1 of the 19th century's so much celebrated composers. during this considerably revised and enlarged variation, the editors stay on the subject of the imaginative and prescient at the back of the unique publication whereas updating its contents to mirror new views on Brahms that experience built over the last 20 years. To this finish, the unique essays via best specialists are retained and revised, and supplemented by means of contributions from a brand new new release of Brahms students. jointly, they think about such subject matters as Brahms's dating with Clara and Robert Schumann, his musical interactions with the "New German tuition" of Wagner and Liszt, his effect upon Arnold Schoenberg and different younger composers, his method of acting his personal tune, and his efficient interactions with visible artists. The essays are complemented through a brand new collection of feedback and analyses of Brahms's works released by means of the composer's contemporaries, documenting the ways that Brahms's tune was once understood by way of 19th- and early twentieth-century audiences in Europe and North the US. a brand new number of memoirs by way of Brahms's acquaintances, scholars, and early admirers offers intimate glimpses into the composer's operating equipment and character. And a catalog of the track, literature, and visible arts devoted to Brahms records the breadth of effect exerted by means of the composer upon his contemporaries.
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Additional resources for Brahms and His World: Revised Edition (The Bard Music Festival)
1983). 42. See Jonathan D. Kramer, The Time of Music (New York, 1988), esp. chap. 11. 43. See a comparable discussion for fiction in Paul Ricoeur, Time and Narrative (Chicago, 1985) 2:77–81. 44. George Kubler, The Shape of Time: Remarks on the History of Things (New Haven, 1962), 77–82. 45. H. A. Köstlin, Geschichte der Musik im Umriss, ed. Willibald Nagel, 6th ed. (Leipzig, 1910), 538. 46. See Norbert Elias, Über die Zeit (Frankfurt, 1988), 42–43, 126–27, 144–47. • 25 • This page intentionally left blank Johannes Brahms, Solitary Altruist PETER F.
Michael Musgrave (Cambridge, 1986), 49–58. 31. Philip H. Goepp, Symphonies and Their Meaning: Second Series (Philadelphia, 1902), 361. 32. Ernst Mach, “Auszüge aus den Notizbüchern 1871–1910,” in Ernst Mach: Werk und Wirkung, ed. Rudolf Haller and Friedrich Stadler (Vienna, 1988), 171–72, 182. 33. , 1973), 223–25. 34. Ernst Mach, Die Analyse der Empfindungen, 6th ed. (Jena, 1911), 6, 28–30. 35. , 250–52. 36. , 230–34; see also Ernst Mach, Populär-Wissenschaftliche Vorlesungen, 4th ed. (Leipzig, 1910), 43–47.
38. Mach, Die Analyse, 214. • 24 • Notes to TIME AND MEMORY IN BRAHMS’S VIENNA 39. On Mach and Husserl, see Manfred Summer, “Denkökonomie und Empfindungstheorie bei Mach und Husserl—Zum Verhältnis von Positivismus und Phänomenologie,” in Haller and Stadler, Ernst Mach, 309–28. 40. Edmund Husserl, The Phenomenology of Internal Time Consciousness, ed. Martin Heidegger, trans. J. S. Churchill (Bloomington, 1964); the slightly different German text is Texte zur Phänomenologie des inneren Zeitbewusstseins 1893–1917 (Hamburg, 1985).
Brahms and His World: Revised Edition (The Bard Music Festival) by Walter Frisch, Kevin C. Karnes