By Chris Meyer
Книга developing movement images with After results: crucial and Advanced... growing movement pix with After results: crucial and complex innovations, 4th EditionКниги English литература Автор: Chris & Trish Meyer Год издания: 2007 Формат: pdf Издат.:Focal Press; 4th version Страниц: 704 Размер: 22,1 ISBN: 978-0240810102 Язык: Английский0 (голосов: zero) Оценка:From my earliest days utilizing After results, I owe a lot of what i do know to Trish and Chris Meyers periods and books. Alex Lindsay, ex-ILM/JAK movies, leader Architect, Pixel Corp. movement photos and relocating pictures are necessary to speaking in a memorable approach. Trish and Chris Meyer are masters in their craft and are uniquely certified to lead a person studying Adobe After results. --Michael Coleman, Product supervisor, Adobe After results
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Extra info for Creating Motion Graphics with After Effects: Essential and Advanced..
Drag the start and end of the work area bar to resize it; grab the center area (where the cursor is) to slide it in time. The keyboard shortcuts B and N set its beginning and end to the current time, respectively. Double-click the bar to reset it to the full length of the comp. 27 2 // Creating a Composition There are useful keyboard shortcuts for setting the work area: TIP Render Lock To stop the Comp or Layer panel from rendering the current frame, engage the Caps Lock key. ” Set work area beginning to current time B Set work area end to current time N Set work area to length of selected layers Command+Option+B (Control+Alt+B) Go to beginning of work area Shift+Home Go to end of work area Shift+End Reset work area to length of comp Double-click center of work area bar Trim comp to work area (see also Chapter 7) right-click work area bar Visual Aids After Effects has several ways of adding overlays to the Comp panel that can come in handy when you’re positioning layers: Title/Action Safe, Proportional Grid, Grid, Guides, and Rulers.
We’re introducing it here, but you’ll be seeing more of it as you edit the anchor point (Chapter 3), trim layers (Chapter 7), create masks (Chapter 10), use the Paint tools (Chapter 31), and perform other tasks. Note that the Layer panel defaults to being docked with the Comp panel; you can toggle between the Comp and Layer panels by clicking on their tabs. If you prefer, you can also rearrange these panels to be side by side (see re-docking panels in the Workspaces section in Chapter 1, plus you can also use the “split frame” technique covered on page 21).
In the Project panel, locate and expand the Solids folder. Your new solid is automatically stored in this folder as a single piece of source footage (even though it appears three times in your comp). It can also be dragged to any other comp. If you edit the solid by selecting Layer > Solid Settings when the Project panel is forward, all instances of this solid will be changed. ț In the Timeline panel, select the topmost solid layer, then open Layer > Solid Settings. Take a note of the “Affect all layers that use this solid” switch at the bottom.
Creating Motion Graphics with After Effects: Essential and Advanced.. by Chris Meyer