By Chris Meyer
Trish and Chris Meyer percentage fifteen years of real-world movie and video construction event contained in the seriously acclaimed growing movement pix with After results. greater than a step by step evaluation of the gains in After results, you'll find out how this system thinks that you should discover your individual visions extra fast and successfully. This full-color publication is jammed filled with tips, gotchas, and sage recommendation to help you continue to exist no matter what your subsequent venture throws at you. developing movement snap shots 4th version has been seriously revised, reuniting the former volumes plus including certain insurance of recent good points brought in After results 7 and CS3 expert to shape one great, crucial reference. The enclosed DVD-ROM includes resource photos and venture documents for the varied workouts which support strengthen each one inspiration. The DVD additionally comprises over one hundred eighty pages of extra details, together with long Bonus Chapters on Expressions and Effects.Authored in CS3, additionally incorporated is entry to a loose net bankruptcy written for CS4. * unfastened CS4 net bankruptcy integrated with the publication* getting to know animation by using keyframes, movement paths, and the Graph Editor* mixing imagery utilizing alpha channels, mask, mattes, modes, and stencils* construction teams and hierarchies via parenting and nested comps* prolonged insurance of sort animation, paint instruments and 3D house* complex matters akin to keying, movement monitoring, expressions, and video concerns* comprises over a hundred and eighty PDF pages of bonus content material at the DVD* wide insurance of the hot CS3 gains together with the form and Puppet instruments, Brainstorm, per-character 3D textual content, colour administration, and extra!
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Extra info for Creating Motion Graphics with After Effects, Fourth Edition: Essential and Advanced Techniques
Repeat with Fast Previews set to Adaptive Resolution. Then change Fast Previews to OpenGL–Interactive and repeat your experiments: After an initial pause to load the images into your video card’s memory, After Effects will update the display practically as fast as you can move your mouse! ) In Part 4 where we discuss 3D in depth, we have initially set the Fast Previews switch in all the comps to Off so that shifts in image quality won’t distract you while you’re learning this complex subject.
This number is used for display only. 31 2 // Creating a Composition Show Channel Option+click (Alt+click) on the Show Channel button to view the comp’s alpha channel; repeat to return to RGB. RGB Straight may look disconcerting, but is actually the preferred output style when rendering a movie with an alpha. When After Effects displays an image, internally it is thinking of the Red, Green, Blue, and Alpha channels that make up that image. The Show Channel menu at the bottom of the Comp panel lets you view these channels individually.
Adding Footage to a Comp This chapter concentrates on the Comp and Timeline panels, but since you’ll need some footage to practice with, go ahead and add a few sources to the My Creation comp. We’ve already imported various movies and objects in this chapter’s example project; you’ll find them in subfolders inside the Sources folder in the Project panel (twirl these folders open if they aren’t already revealed). Feel free to import your own sources to play with. ) Note that in recent versions of After Effects, sources added to a comp (as well as those you create, such as text, shape and solid layers) start by default at the beginning of the comp.
Creating Motion Graphics with After Effects, Fourth Edition: Essential and Advanced Techniques by Chris Meyer