Download Der Tonwille: Pamphlets in Witness of the Immutable Laws of by Heinrich Schenker PDF

By Heinrich Schenker

ISBN-10: 0195175182

ISBN-13: 9780195175189

ISBN-10: 1423785088

ISBN-13: 9781423785088

This is often the second one quantity of a two-volume translation of Heinrich Schenker's Der Tonwille (1921-24). one of the greatest track theorists of the 20th century, Schenker's tools of research stay the most vital instruments of musicology.

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Extra resources for Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music Volume II

Sample text

Such neighbor notes, which should not be confused with reaching-over tones, continue to be applied to the motive in the further course of the movement. How enlivening, how logical is the interplay of upper and lower neighbor notes! The repeat in bar  (with upbeat in bars –) introduces an expansion in bars –. This expansion arpeggiates the upper-fifth divider, whereby the succession B–C in bars – is annexed, in a wonderfully organic way as a rhythmic augmentation, to the preceding neighbor-note patterns, F –G and C –D (see the graph of the Urlinie).

P. /pp. – ; and the Erläuterungsausgabe of Op. , p. /p. ;5 and so on. Bars ‒. The realization of the Urlinie descent, ˆ –ˆ , is clarified by the following illustration: ˆ ˆ ˆ ˆ ˆ If here, too, ˆ ˆ ˆ are placed above I–V–I, then the V is again likely to be understood as an upper-fifth divider, no matter how extended its elaboration. Thus the descent represents a mirror image of the initial ascent (see Fig. a).  tonw i l l e 6 The new section returns to the motivic material from the beginning of the movement, and for this reason the motive from bars –  must not be omitted.

C). ) From the fifth of the chord, D in bar , to the third, [B ] in bar , the bass takes the longer route of an ascending sixth instead of a the shorter path of a third downward; of course, the seventh in the upper voice must yield (bar ) as soon as the lower voice prepares to take it;4 see the Erläuterungsausgabe of Op. , p. /pp. – ; and the Erläuterungsausgabe of Op. , p. /p. ;5 and so on. Bars ‒. The realization of the Urlinie descent, ˆ –ˆ , is clarified by the following illustration: ˆ ˆ ˆ ˆ ˆ If here, too, ˆ ˆ ˆ are placed above I–V–I, then the V is again likely to be understood as an upper-fifth divider, no matter how extended its elaboration.

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Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music Volume II by Heinrich Schenker


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